Ceramic Review Issue 286

We visit Kyra Cane in her studio to hear about the relationship between the landscape, drawing and her ceramics

Reflecting on ceramic artist Claire Curneen's work, influences and her recent award-winning porcelain sculptural assemblage, Tending the Fires

Ahead of a new exhibition showcasing the best of Irish ceramics, we look back at Ceramics Ireland's history and achievements over the last 40 years

Exploring Lord and Lady Attenborough's collection of Picasso's ceramics ahead of an exhibition at the Centre of Ceramic Art, York

Catherine Roche investigates artist Anne Gibbs' mixed media processes and her fascination with visual ambiguity

We interview Moira Vincentelli, who has spent her career championing ceramics, women's rights and arts education

We look forward to the International Ceramics Festival in Aberystwyth this summer and celebrate its 30-year history

From a life of finance and funerals to a blossoming career as a potter: we uncover Pip Wilcox's journey

Horse-obsessed ceramic artist Gareth Nash explains the historical significance of clay horses to various cultures

Colin Martin reviews an exhibition of playful and political printed plates from the 19th century

Michael Jeffery of Woolley & Wallis profiles Burmantofts Faience Pottery ahead of a notable auction of art pottery

Kate Malone discusses a single piece with an important relationship to her own work: a small vase by Axel Salto

André Hess previews a forthcoming show by Italian ceramist Paola Paronetto at London's Contemporary Ceramics Centre

We discover Emma Johnson's slip-cast tableware, inspired by the sharp lines and functionality of Brutalism

Potter Marshall Colman offers his step-by-step guide to making and decorating a tin-glazed earthenware jug

Starting our new series on clays and glazes, Walter Keeler reveals the recipes behind his salt-glaze pots

We focus on sculptural vessels by Paul Philp that display his midernist and geological influences