Ceramic Review Issue 285

Undulating forms, elegant outlines and a cross-disciplinary approach: we explore artist Ashraf Hanna's journey through ceramics and glass

How a passion for wildlife conservation and an eye for detail inform the animal-inspired work of ceramic artist Charlotte Pack

Master potter Lisa Hammond's plans to save ceramics education in the UK through her Clay College Stoke and Adopt a Potter projects Master potter Lisa Hammond's plans to save ceramics education in the UK through her Clay College Stoke and Adopt a Potter projects

From apprentice to master: how Fleen Doran earned her reputation as a maker of both salt-glazed stoneware and porcelain tableware as a maker of both salt-glazed stoneware and porcelain tableware

One of the UK's pre-eminent authorities on ceramics, Professor Paul Greenhalgh discusses the organic growth of his personal collection

Artist, writer and curator Aaron Angell tells us about his sculpture-only studio, curating ceramics at Tate St Ives, and future creative plans

We visit Sue Mundy's studio to discuss her interest in the natural world, fine-tuning her techniques and recent shifts in her work

How can you make the most of Ceramic Art London? The event organisers offer us their tips and tricks for a successful visit

We hear from the three special guest judges in the new series of The Great Pottery Throw Down: Paul Cummins, Johnny Vegas and Emma Bridgewater

Ahead of its arrival in the UK, we review artist Stephen Bird's touring solo exhibition Bastard Son on Royal Doulton

We spotlight an unusual auction: the Potters for Aleppo charity initiative, which saw makers donate their work to be sold on Facebook

Richard Phethean reviews an exhibition at Goldmark Gallery that marked the 70thbirthday of studio potter Jim Malone

Early career ceramist Olivia Walker discusses the creative journey she took towards making her finely wrought porcelain pieces

Step-by-step, Stephanie Wright reveals the innovative process behind her flowing ‘Catching the Wave' sculptures behind her flowing ‘Catching the Wave' sculptures Step-by-step, Stephanie Wright reveals the innovative process behind her flowing ‘Catching the Wave' sculptures

We focus on Jack Doherty's soda-fired porcelain: vessel forms with subtle surface textures