Ceramic Review Issue 287

We visit our cover star Beverley Bell-Hughes in her studio near the North Wales coast to learn more about the ceramic artist's seaside-inspired sculptures

Ylva Julén reviews Jane Perryman's solo show Containing Time ahead of its tour of galleries in England, Scotland and Wales

Ceramist Jin Eui Kim discusses the techniques and influences behind his vessels, decorated with linear bands to create ingenious optical illusions

Ahead of the British Ceramics Biennial (BCB) in Stoke-on-Trent, the artistic director looks back at BCB's success and explores the highlights of this year's programme

Kay Aplin previews the Made in Korea project, which will be exhibiting as part of the British Ceramics Biennial

We explore the recent revival of handmade tableware in high-end restaurants, ordered by chefs to complement particular dishes

We interview Maylis Grand, collector and co-founder of the Mayis Grand Ceramics Prize, on the importance of supporting craft skills and the joys of living with art

Kate Haywood shares her journey from making jewellery to creating ambiguous porcelain sculptures inspired by rituals, ceremonies and adornment

Exploring Michael Cardew and Michael OBrien's pottery adventures abroad, and examining their enduring legacies in both Nigeria and the UK

Adam Buick tells us about the influence a historic Korean moon jar has had on his own work over the last 10 years

Marijke Varrall-Jones of Maak Contemporary Ceramics offers her take on recent developments in the auction world

We uncover Russian ceramic artist Irina Razumovskaya's abstract sculptures, inspired by her homeland and history

Robert Cooper shares his process of making candleholders crafted from ceramic fragments found on the Thames foreshore

Anna Barlow shares the glazes used on her ice cream sculptures

We put Hyejeong Kim's tableware in focus on the back page