Ceramic Review is the magazine for contemporary and historical ceramics, ceramic art and pottery.
March/April 2024
November / December 2017
Ceramic artist Takuro Kuwata tells CR about his mission to update Japan's pottery traditions by combining historic skills with a contemporary aesthetic
South African potter Clementina van der Walt discusses her story as a maker, and shares her approach to creating tableware, wall pieces and sculpture
Colin Martin visits two exhibitions of ceramic art in London by artists Rachel Kneebone and Emma Hart
We discover the traditional craftsmanship and skills behind British designer Lee Broom's interpretations of historic Wedgwood pottery
Gallerist, art dealer, curator and former potter Joanna Bird discusses a lifetime's dedication to ceramics and the decorative arts with CR's editor
Uncovering the story behind the unexpectedly rich collection of studio ceramics at Swindon Museum, which ranges from Bernard Leach to Grayson Perry
Bonnie Kemske reflects on the social, personal and political role of the contemporary teabowl, and asks ‘If a teabowl isn't used for tea, is it still a teabowl?'
Artist Claudia Clare discusses her series of large-scale painted pots, which she has created to document one man's journey as a Kurdish refugee in Britain
We explore Mike Byrne's path between ceramics and printmaking and discovers his distinctive jugs, which combine both functionality and art
Celebrating 65 years of making ahead of Robin Welch's solo show at the Contemporary Ceramics Centre, London
Slipware potter Doug Fitch explains the longstanding influence of English medieval pottery on his own work
Sotheby's Robin Cawdron-Stewart discusses recent auction highlights and the growing interest in British ceramics
We discover ceramist Adam Ross' playfully anthropomorphic take on tableware and sculpture
Tin-glazed earthenware expert Daphne Carnegy explains the step-by-step processes behind her functional wares
Potter John Ward shares his grey-green underglaze and white glaze recipes