Ceramic Review Issue 289

Sue Herdman visits potters David and Margaret Frith in their workshop in Wales to discuss changing times and the secrets to their success

Colin Martin visits Cerámica, a show of cutting-edge architectural ceramics at RIBA North

Turning Earth founder Tallie Maughan advocates the importance of open access pottery studios and discusses changing craft careers

Jonathan Chiswell Jones describes the influence of 19th-century potter William De Morgan on his lustreware

Emma Crichton-Miller meets artist Clare Twomey during Clare's latest project FACTORY at Tate Modern to learn more about her clay installations

Rhea Miner and David Rago on idiosyncratic potter George Ohr's life, work and auction results

Rachael Chambers explores the ceramic art finalists of the inaugural Woman's Hour Craft Prize at the Victoria & Albert Museum

As more department stores start to stock studio pottery, we hear from ceramists making the leap from ceramic fairs into mainstream shops As more department stores start to stock studio pottery, we hear from ceramists making the leap from ceramic fairs into mainstream shops

Stuart Dickens explores the story of Chris Carter: a studio potter who has been working close to the land in Warwickshire for more than 50 years

Artist Amanda Chambers considers the profound effects that Japanese residencies have had on her work and that of Jennifer Lee, Christopher McHugh and Anne Mette Hjortshoj

We discover Australian ceramic artist Alice Couttoupes, who is inspired by native flora

Scientist-turned-potter Linda Bloomfield shares her rutile glaze recipes and recent research

Sue Herdman discusses how to glean press and commercial attention as an emerging ceramist

Katharina Klug takes us step-by-step through the processes behind her wheel-thrown porcelain vessels, decorated with wax-resist pastels

Potter Chris Campbell shares the techniques she's developed for creating coloured patterns in clay

We put work by ceramic artist Daiva Kojelyte-Marrow in focus on the back page