Ceramic Review Issue 290

A year on from winning our Newcomer to Ceramic Art London Award 2017, Dominique Corlett interviews ceramic artist Lauren Nauman

As a major exhibition on British studio pottery opens at the Fitzwilliam Museum, Cambridge, co-curator Simon Olding reflects on the show opens at the Fitzwilliam Museum, Cambridge, co-curator Simon Olding reflects on the show As a major exhibition on British studio pottery opens at the Fitzwilliam Museum, Cambridge, co-curator Simon Olding reflects on the show

Tim Parsons discusses a British design icon, the Brown Betty teapot, following its recent re-engineering by Ian McIntyre

Prue Cooper explains how message-bearing ceramics found in the V&A influenced her own narrative-laden slipware dishes Prue Cooper explains how message-bearing ceramics found in the V&A influenced her own narrative-laden slipware dishes

Sue Herdman visits artist Midori Takaki in her Canterbury studio to learn more about her folklore-inspired ceramic sculptures

As the demand for studio ceramics increases, Jason Wood of Adam Partridge Auctioneers reports on another busy year at auction

Alun Graves, Senior Curator of Ceramics and Glass at the V&A, discusses all things clay with CR's Assistant Editor, Isabella Smith

Fiona Green discusses a project that saw ceramics students draw on work from the Anthony Shaw Collection at CoCA, York

Ahead of this year's fair, we meet new exhibitors at Ceramic Art London from countries as far afield as Brazil and Korea

Glaze expert Linda Bloomfield answers a question about multiple firings and glazes

We discover potter Matthew Warner's elegant, functional pots, inspired by historic European tableware and the social history of ceramics

Ceramist Gilles le Corre shares the recipes behind his textured stoneware pots, created with clay containing natural impurities

Ruthanne Tudball takes us step-by-step through the process she uses to make and fire her distinctive soda-glazed teapots

We put CR's co-founder and potter, Emmanuel Cooper, in the spotlight