Ceramic Review is the magazine for contemporary and historical ceramics, ceramic art and pottery.
March/April 2024
September / October 2014
Simon Martin's memory-filled Emmanuel Cooper jug
A new prize for artists working with ceramics
The Clay Studio's forty-hour celebrations in Philadelphia
The Valentinos Charalambous retrospective in Cyprus
Lily Crowther looks at the parallels between, and overlapping of, typography and ceramics
Christopher Taylor's richly layered vessels, presented by Julian Champkin
Rachel Grimshaw compares her two working practices
Inga Walton highlights Janet Mansfield's legacy, following a tribute curated by Prue Venables
The building of Philip Revell's anagama kiln and resulting wood-fired ceramics, by Giles Sutherland
How questioning every element of every object informs Mandy Cheng's tableware designs
Ian Wilson uncovers Karin Schösser's love of glaze and landscape
Colin Martin on Felicity Aylieff's Doha commission
John Higgins shows his approach to slab-built forms
James Brinsford interviews John Leach about the flood-hit Muchelney Pottery
Rosie Edmondston-Low asks: what are we doing for the young potters of the future?
The newsletter of the Craft Potters Association (CPA)