Ceramic Review Issue 307

Annie Le Santo spoke to Sophie Cook about mastering the art of throwing with porcelain and her mission to create refined forms with clean colours and perfect shapes

CR’s pick of the crop of current ceramics exhibitions

Finding an affinity with Richard Slee’s satirical work when he started working with clay in the 1990s, Chris Turrell shares the influences behind his figurative pieces

Bouke de Vries discovered his love for ceramics working as a specialist restorer. Emma Crichton-Miller finds out how he translated these skills to create his unique pieces

While resident at Hungary’s International Ceramics Studio, Tim Martin discovered a subterranean store of ceramic art dating back to the 1970s. He tells us more

We take a look at a selection of makers who have been inspired by the weather and landscape of the season

Frances McDonald discusses the work of diverse artists who use found and used objects in their ceramic practice

Inspired by vintage plates and nostalgic illustrations, Polly Fern has built a successful career making unique ceramic pieces. Elizabeth Lynch discovers more

Dina Nur Satti is the New York-based maker behind Nur Ceramics. She shares the influence that Somali and Sudanese traditions have had on her work

Ceramic artist Emily Myers takes us step-by-step through the processes she uses to throw, glaze and carve one of her signature Carved Ball forms

Ceramist Jacqui Ramrayka shares the recipe for a crater glaze that she uses on her textural vessels

Miranda Goodby, Senior Curator of Ceramics at The Potteries Museum & Art Gallery, has chosen a highlight of its Bergen Collection of pre-war studio pottery