Ceramic Review Issue 309

Inspired by folklore, myths and legends, Natalie Baerselman le Gros discovers more about Christie Brown’s figurative work

CR’s pick of the crop of current ceramics exhibitions

Sue Hanna and Antonia Salmon’s smoke-fired sculptural pieces are featured in a new show at Contemporary Ceramics

Ceramic artist Ben Brierley shares the influences behind his practice and the techniques he uses in his making process

Lyon & Turnbull’s Philip Smith looks at the impact the pandemic has had on auction houses and the ceramics market

Richard Heeley reveals how encountering work by Bernard Leach and Tomimoto Kenkichi has influenced his practice

Ellen Bell discusses the aims of Interbeing, a ceramic and sound art project based in Britain and China, with its curators Kay Aplin and Joseph Young

CR’s Annie Le Santo learns more about the handbuilding techniques Amy Jane Hughes uses to bridge the gaps between past and present ceramic traditions

Colin Martin relates the experiences of people in the ceramic community who have been affected by the coronavirus

We find out more about the minimalist style of Carla Sealey, the emerging maker behind Naked Clay Ceramics

Professor Simon Olding from the Crafts Study Centre chooses a piece from its latest exhibition about the Leach Pottery