Ceramic Review Issue 321

Our round-up of key stories from the world of ceramics

CR’s pick of the crop of current ceramic exhibitions

Here are some of the ceramic exhibitions, talks and workshops featured in the festival

Natalie Baerselman le Gros reviews Julian Stair’s new exhibition, responding to the lives lost during the coronavirus pandemic

Jane Audas discovers artist Oliver Beer’s latest show combining ceramic vessels and their musical notes

A fascination with 12th and 13th century Persian lusterware inspired Boris Aldridge to create his own

Lindsey Mendick makes ceramics based on her own life experiences, creating installations that have become a form of therapy. Corrine Julius tells us more

Sean Miller shares his inspiration and the techniques he uses on his traditional slipware

In the second part of his investigation, Tim Martin discovers the reasons why people collect ceramics

The Bell Collection of British Studio pottery has found a new permanent home in Clare Hall. Katherine Selby explores the display

Edinburgh-based potter Borja Moronta speaks to CR’s Jessica Browne about his passion for tableware and the potter’s wheel

QEST scholar Leora Honeyman shares her desire to make her work spark wonder in her viewers

Warren Collum from the Burton at Bideford Art Gallery & Museum, has chosen an exceptional maker amongst a remarkable collection of studio pottery