Ceramic Review > Magazine > Ceramic Review Issue 190

Ceramic Review Issue 190

Jul / Aug 2001

Contents...

preview:

Work in Progress

Sue Paraskeva's recent work

potter:

Points of Departure

- Tessa Peters

Steve Buck's diverse handbuilding

potter:

Soft Focus

- Josie Walter

Ruthanne Tudball's soda-glazed tablewares

opinion:

On Jumping Ship

- Linda John

Exploring the definitions of art and craft

focus:

Metamorphosis

- Victoria Eden

A modern slipware exhibition

reputations:

Making a Difference

- Kate McIntyre

Philip Hughes, the man behind Ruthin Craft Centre

exhibition:

Monsters and Goblins

- John Henshall

The fantasy work of Blanche Georgiana Vulliamy

heritage:

Farnham Pottery

- Denise Todd, David Graham

Restoring a Victorian country pottery

international:

Addition and Subtraction

- Sara Hakkert

Israeli potter Hilda Merom's saggar-fired vessels

sculpture:

Souvenirs from the Outside

- Gregor White

Stephen Bird's folk art ceramics

education:

Wonderwall

- Hannah FitzGibbon

A nursery school's ambitious project

potter:

Figures of Fun

- Nicholas Lees

Jude Jelf's exploration of the body

glazes:

Reduced Lustre

- Pauline Monkcom

Detailed advice for special effects in electric kilns

technical:

User-friendly Glazes

- Tony Stevens

Ways to make glazes easier to use

a potter's day:

Anna Usborne

- Anna Usborne

Working in Madrid, Spain

revelations:

Martin Bodilsen Kaldahl

Jerwood Judge answers 20 questions

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